“I can sometimes be a bit overbearing in the studio as well, trying to get things right. There were multiple times where I thought, ‘I just want to go home. “I cried probably five times in the studio. Oh, and somewhere in between, Kate was working their day job remotely as well. Maybe more so when other people are doing that as compared to when I'm doing my own.” “I was there making notes, being like, ‘Oh, this fill’s changed from the demo, can we do this one instead?’ There wasn't a day off where I didn’t have to pay attention because other people were doing their parts. On days when they weren’t recording guitars, vocals, synths or adding in the million and one tiny details you might not necessarily hear but would be noticeable by their absence, Kate took just as intense an interest in bassist Luke Fabian, drummer Josh Andrews and studio guitarist Frank Muir laying down their parts. Here, Kate worked for a month with almost no rest. To make it, Kate (they/them) estimates that they spent two years writing the songs – most of which hadn’t been played together, in a room, as a band before it was recorded – before heading to The Ranch studios for a month working with producer Lewis Johns ( Svalbard, Employed To Serve, Rolo Tomassi).
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